Showing posts with label History of Books. Show all posts
Showing posts with label History of Books. Show all posts

Saturday, December 15, 2012

Vintage Pens Giveaway

I never stop collecting items associated with the history of books and writing, both for my own pleasure and to share at workshops and presentations. Recently I discovered two vintage boxes of William Mitchell's Pens in a local shop. As you can see, the top of the box is embossed and inside there are twelve nibs and a handle. I hope someone will tell me their likely production date.

So, as a token of thanks to all writing and calligraphy friends, cyberscribes, blog and website visitors, schools at which I have conducted workshops, people who I have interested... I'll give one of these boxes away (99% pristine - a small fragment of the lid's side needs reattaching). Just add a comment to go into the draw. I hope you'll also consider following this blog.




To save getting the parcel lost in the seasonal mail, I'll make the draw on Jan 1st.

I also have another promotion - this time, in association with my latest book, 'Calligraphy for Greetings Cards and Scrapbooking'.

It has an enormous amount in it to teach calligraphy skills and using them for any purpose. It's for adults and older children and covers tools and equipment, alphabets, spacing letters and words, layout and design, creative letters (cut, decorated, embossed, pop-up and more), trails and borders, mass producing and printing cards and invitations, envelope design... and there's a gallery section of inspirational work by a variety of craftspeople. It's been beautifully designed and printed.by the publisher, GMC Publications.

It's available or able to be ordered from all bricks and mortar bookstores and online retailers worldwide.

As reviews help to sell books and I’m dependent on royalties, which won’t be payable until about 2,000 more copies are sold (mid- to end 2013??), I’m doing a promotion. If anyone who visits here, or any of your friends or blog readers chooses to buy a copy, after they have added a review on the retailer’s website or in a Guild/Society/industry newsletter, teacher's or librarians' journal/newsletter or similar, I will calligraph and decorate a name of their choice and snail mail it (they email me the details to Peter (at) writing-for-children.com). I’ll keep this offer open until I have 10 reviews on each website, and one in each of a large number of relevant journals and newsletters.

Enjoy celebrating your seasonal festivities and wishing you Peace, Love and Joy throughout 2013 and every year,

Peter Taylor
Writing for Children
www.writing-for-children.com
www.ptcalligraphy.com


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Sunday, November 25, 2012

Unforgettable - but not now

Here's Stonehenge without a fence or sanitized path. You could touch the stones, lie on the altar slab and imagine all kinds of things in 1959. What an unforgettable experience!


I took these photos with the latest design Kodak Brownie 127, a 10th birthday present. 

Have you taken photos from viewpoints that are now forbidden? I often wonder if we really need to protect so many sites from visitor interaction. I'm told they have also fenced off areas in Carnarvon Gorge in Queensland where I once sat and let my imagination run wild. 


I mean, in these days when celebs can be photographed from five miles away, it can't be that hard to unobtrusively monitor to make sure people don't do something regrettable.

When I make school visits to talk about 'The History of Books', students can handle a Mesopotamian sales docket from 1800BC...





read Gregorian chant from a page written in 1280...


unwrap a land document written on vellum, complete with King George III's wax seal...




and handle many other treasures.

Are the risks of something being damaged worth taking? Absolutely!


'Peter's workshop was, without a doubt, the highlight of our library year!'
Ormiston College, August 2012 

Many thanks to staff and students!

All children and adults need rich experiences to savour.

Peter Taylor



Sunday, October 07, 2012

History of Books and Illustration

These illustrations were engraved in the late 1700's and published in 1795 to enlighten a population intrigued by new discoveries. It was a pity that the artist had not actually seen the subjects! There was no colour printing in those days, so the pages have been hand-painted, probably by a family, with members each applying a different colour.

The present spelling is orangutan, but you'll also find orang-utan, orang utan, orangutang, or ourang-outang

A Domesticated Female Orangutan 

 Really? And the background doesn't look much like a rainforest in Borneo or Sumatra - their normal habitat. Nor is carrying off humans an experienced behavior, though the practice is recounted in some folk stories. But they are only stories! I wonder how readers regarded orangutans after seeing these pictures and how long it took before they became aware of the truth and were able to see accurate drawings.




These engravings are in the collection of books and documents that I share with attendees at my 'Hands-on History of Books over 4000 Years' sessions for schools and adults. I hope I may see you at one of them. I'll post pictures of some other treasures in the following weeks, but it won't compare to being able to hold them.


Peter Taylor
Writing for Children



 


Monday, January 30, 2012

Why Most Books Have Rectangular Pages




Yes, this is the cover of my new book due to come out in June, and the book is rectangular - just like most books. Why this shape?


• Print off and cut out the ‘animal skin’ (below) from paper. You can enlarge it to any size you wish – or just imagine it’s been cut out.


• Trim off the remains of its legs, neck and tail to give the largest possible rectangle of skin to be made into pages.

• Fold the rectangle in half lengthwise, then in half again and again at right angles to make a group of pages.



Yes it’s the cow’s fault!

Books were written on paper or skin from 1000AD onwards until skin became too expensive and not available in sufficient quantity. However, for a few centuries, even though writing and printing on paper was performed, the most ‘important’ books were always written on pages made of skin. Some books and documents are still written on skin.

Only in recent times have square and landscape format books been published or produced. For nearly two thousand years, books were always rectangular and ‘portrait’ – hinged on the long side.

Today, many books are printed with 8 pages to a side of large sheets of paper, which are then folded to make a gathering and sewn with others, and then trimmed perfectly to construct a book block ready for covering.

This method was used for the earliest books, too - folding sheets of vellum in half, then centrally at right angles, then in half again. Vellum (parchment means the same thing), made from cow or calf skin, was expensive in early times, so book creators always wanted to get the optimum number of pages from one hide, with no waste. When the remains of the neck, leg and tail had been removed, and the sides trimmed straight, the shape that remained for use was a rectangle, so the pages formed by folding were rectangular – and the tradition continued.

This method of folding was replicated for books with paper pages, and the sheets of paper were made in the same proportions as animal skins – and still are. Though no early instructions for folding have been found, study of ancient books from the first century AD onwards proves that this was the standard method of production. All medieval vellum books, without exception, had facing pages alternately ‘hair side together’ then ‘flesh side together’, no matter if they were precious or scruffily written and bound with little care. The same when paper was used, ‘wire marks from the mold (on which the paper was formed)/watermark sides’ together alternated with ‘non-embossed sides’ together.

You can test the outcome for yourself, similarly folding a sheet of paper that is printed on one side only. Facing pages are always the same, and alternate plain and printed – but the nature of the outer surfaces depends on whether you make the first fold with the printing facing you, or the plain side. There were traditions for vellum use. From the late Roman Empire and the Greek Orthodox world, the outer surfaces were flesh side, and this was revived in fifteenth century Italy for non-religious texts. But for the rest of Europe, from the pre-Carolingian to high Gothic periods, the first and last sides of the vellum were always hair side.

Skins were not always folded to make 8 pages (16 sides) in a gathering. In Spain, in particular, enormous 'antiphonal' vellum choir books were produced in the 16th century. I have a single page from one of them:


Antiphonal Page

This one measures 85cm x 55cm.

Some books were smaller than a matchbox. This is the smallest one that I own. It was written in 1460:

A vellum page from a Book of Hours

As well as from cow and calf hides, vellum was also made from sheep, deer, goat, rabbit and squirrel skins – in monasteries, probably the remains of whatever was served for dinner – but these other animals all produced a rectangular sheet for folding, too, and therefore rectangular pages.

There are a few large sheets of vellum in existence that show that pages were sometimes written prior to folding, as a book would be printed today, but it’s uncertain how many early books were created in this way. Illuminations in manuscripts depict monks writing in folded sections and complete books. One scribe was responsible for writing a complete gathering, but multiple gatherings could be written by multiple scribes.

Just in case monks lost the plot of which page to write where on a large sheet, prior to folding, it’s thought the folding was usually done first, the front (fore-edge) slit through, and the folds along the short edge cut but leaving just enough remaining to hold the gathering together but still allow the scribe to turn the pages.

By the 15th century, at the latest, stationers were selling pre-folded and ruled gatherings of vellum and paper, ready for writing.

When I do school visits and workshops, students and attendees can handle these vellum pages and many more items from my collection. It can bring history and books alive - please check out the 'Visits' page on my Writing For Children website, and the 'History of Books'.

Peter Taylor
http://www.writing-for-children.com/